Anna Kruhelska is a visual artist and practising architect working across fields of art and design. She creates abstract, three-dimensional wall reliefs that play with reflected light and the viewer’s perspective.
The central concept of all of her work is interplay between light and shadow, contrast and the repetitive patterns created by the mountain and valley folds.
Minimalism, architectural composition and origami are some of the things Anna is inspired by and therefore strongly represented in her work.
The works are made from archival, light-resistant and acid-free paper. All the pieces are folded and assembled by hand with the meticulous attention to detail.
I am a qualified architect and for the last 14 years I’ve been working professionally. I love my job, but at some point I realized that I needed a side project, which would be more artistic and would give me the opportunity to creatively express myself and explore ideas I find interesting.
I love minimalism and simplicity and I am fascinated by patterns, texture and the play of light and shadow. Wanting to combine all these inspirations, I began to experiment with pleating fabrics but after few months, I turned to paper which I used to work with a lot during my university years. While there are many limitations of paper I discovered that it gives me a lot of creative freedom and possibilities. That’s how it all began.
On what project did you work when working as an architect?
I worked on wide rage of projects but I spent most time working on high end residential buildings, 5* hotels and luxury apartments. The construction sites were in Russia, the UK and Malaysia.
Each time it looks a bit different. Sometimes the inspiration to create a work is a simple shape, eg. a hexagon, another time it is an interesting tessellation.
I always start in front of a computer screen and it is a very creative part that makes me happy. I draw shapes and forms and try to find repeating patterns. Sometimes I spend hours on one idea, I develop it, not knowing what the end result will look like. On other occasions I have a very clear vision of what I want to achieve and I devote a lot of time to refining this particular vision. Sometimes a small change in the angle of the figure has a huge impact on the look of the whole work.
When I am satisfied with the project, I still have to translate 3d models to 2d, so that they can be cut from a flat sheet of paper. The process of cutting paper is performed by plotter cutter. Once individual shapes are cut they all need to be folded and glued manually. This part of the process is very repeatable as each relief consists of 40 – 100 individual solids. It may sound horrible but actually it’s very calming and relaxing – almost like a meditation – so I like this part of creating an art piece as well.
After hours of folding and glueing, when all the shapes are ready, the whole panel can finally be assembled.
Why do you work with paper?
Paper suits me as once folded it’s quite rigid and it allows me to work with 3D shapes I’m interested in. I can either work with quite simple 3d surface patterns based on tessellation or tiling or create more fluid and complex forms by using parametric modeling. Folding paper is also very relaxing. It lets me forget about everyday activities that can be stressful at times.
From where your inspiration comes from?
My inspiration comes from all sorts of places: architecture and minimalism are probably the strongest ones but I’m also inspired by geometry, origami and chip carving technique so popular in southern Poland.
What subject did you study?
I studied architecture in Lodz, Vienna and London.
Where are you based?
I’m based in Lodz which is a one of the main cities in Poland. The city used to be a textile manufacturing hub in the 19th century but now is probably best know for its film school which is one of the oldest in the world and produced large number of top filmmakers.